Everyone who has presented so far.

A browser-based DAW built for real-time collaboration from the start. Audiotool is now opening up its infrastructure so other tools can go multiplayer too.

An iOS developer who makes music in his spare time. Vibely turns audio into visual content in a few minutes and is used by creators with millions of followers.

Close to 40% of new streaming uploads are AI-generated. He is building a platform that teaches you to play the songs you like instead, with feedback as you go.

A composition environment that borrows from video games: 3D graphics, game controllers and interfaces informed by musicology, sitting alongside your DAW.

A Berlin plugin workshop. Premiered KREATUR, an AI tool you play like an instrument, along with the KA-303 acid synth and the Reecer flagship.

A cultural discovery platform that uses data and personalised recommendations to make concerts, opera and other cultural events easier to find.

Electronic music runs on the relationships between producers, DJs, labels and scenes, and almost none of that is written down anywhere. ohr tries to map it.

Publishing administration with AI underneath it: global registration, continuous auditing and live tracking to recover royalties nobody was chasing.

Real-time 3D visuals out of game engines, reacting to the audio and adaptable from a single screen up to an immersive dome.

A white-label streaming platform that lets cultural institutions run their own branded service, with 4 million pre-licensed tracks and 6,000 hours of video.

A tablet sampler for beatmakers that runs as a VST3 inside the DAW, built to make chopping samples enjoyable again.

Plug-and-play tracking that turns a physical space into a responsive one, without specialist skills or a long installation.

A musician who became a founder. Music Minds brings producers, engineers, studios, educators and marketers together into one place artists can trust.

A neurotech gaming platform that uses sound and light to tune emotional state and cognitive performance, and treats sound as something measurable.

Audio machine-learning models are now fast enough to run on a laptop, which makes it possible to organise music without putting it into categories first. Built for DJs.

A platform for regenerative music, where sounds are released so that the audience can listen to them, rebuild them and turn them into something else.

Schallgeber's spatial audio joined up with orchestral performance, to get to a format for music in virtual space that holds up in practice. Exhibited worldwide.

Co-host of the hardware edition and welcome address. Soundbrenner makes wearable metronomes for musicians.

Made an exclusive product announcement at the meetup. ACPAD built the first MIDI controller for acoustic guitar.

Presented The Glide, winner of the 2019 Guthman Musical Instrument Competition.

Showed the 2.4SINK and TBD Eurorack modules plus the IO-Lights MIDI controller, turning movement into sound.

Presented Orbita, playing music with colour. Winner of the Touchme Best Product ISA award 2020.

Presented European Artist Bank with Stephan Plank, which came out of their first project together. Shared infrastructure for artists.

Producer and co-founder, presenting European Artist Bank alongside Rob Stanley.

A platform connecting music producers with professionals for 1:1 sessions, with project management built in.

Music hardware built in Berlin.

Presented Kreisklang at the spring edition.

An AI assistant and automation platform designed with independent musicians.

Pinpoint micro-learning for music creatives, curating the best production content from the web into personalised lessons.

A suite of AI-fuelled one-shot sample generators. Presented Just 4 Kicks and the wider toolset.

Engineer, innovator and musician, blending disciplines in the EMRSIV project.

Presented Rytm, the first Max/MSP external for the Elektron Analog Rytm.

FREE MUSIC: from piracy to a new model for artists and audiences.

Presented RS Baze at the community edition, a project that came out of the community itself.

On membership, and what keeps a music community together.

Immersive audio from the production room to the finished space.

Decades of immersive and high-resolution audio production.

Sound design and interactive audio installations.

Immersive acoustic worlds, from production through to the room they play in.

Multimedia artist, sound designer, record producer and BIMM lecturer.

An AI-powered music library manager for DJs.

Built büene.live as a new way to connect live music and audiences.

Performance work across disciplines.

On building a studio brand from the community up.

Better understanding and promoting your music with AI tagging.

Using AI in music tech as a freelancer, working with startups that need recommendation, search and playlisting.

Artist and technologist, presenting SEMILLA.AI. Also presented at the very first edition as HEXORCISMOS.

Presented the Retro Futur project.

Presented the Plecto LFO.

On building open, Linux-based hardware for musicians.

Machine learning applied to musical instruments.

Presented Autobeat and the axart toolset.

Motion-controlled instruments that turn movement into sound.

Co-inventor of The Jam Machine, a generative music model.

Machine learning for music and gaming worlds.

Leads semantic music technologies at Fraunhofer IDMT.

On practical AI in creative production.

Founder of Idoru and recording artist as A.D. Mana.

Presented the Kyiv cultural house and its work under wartime conditions.

With Andrew Rahman: XR cannot be immersive without sound.

Artist and researcher whose work focuses on the systems and infrastructures artists depend on.

Music and health: a mutual benefit, presented at the wellbeing edition.

Sound, rhythm and wellbeing.

Mixing and arranging with artificial intelligence.

Modular music creation in XR.

A great many ways to jam. Pick one.

Presented a service for artists at the open-air edition.

AI ambient visualisation performed live during the sets.

On the dawn of a new era for music creation apps.

The path leading up to generating AI death metal. Researcher on neural networks and guitar player.

CTO of Melodrive, the AI video game music platform.

Adding value to music creation and experience through AI.

Creative technologist and creator of dadamachines. Shipped the Automat Toolkit to 500+ customers worldwide, then opened the brand as a label for open-source music hardware.

With the studio Decochon, explored building modular music machines in virtual space using the sandbox instrument MuX.

Author, education writer and maker focused on new technologies. Developed curricula for the Royal Court in Oman and writes playful technology education.

With Julian Vogels on how the music tech and innovator community can respond to the climate emergency.

Know Your Game: artist empowerment through access to data analytics. Artist-centric analytics for independent musicians.

AI tools and music creation: should a musician care about any of it? On what machine learning changes for the person writing the song.

How music gets its value back by becoming a physical medium again.

Exploring the possibilities of AI as a musician, from her own work with machine learning in production.